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[channels]
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- music.videos
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- dead.scooters
- electr.music.festivals
- desktop.gardens
- online.radio.stations
- spectral.density.estimation
- virtual.reality
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- @ L U X Collection Programme Writing News About us Q LUX Shop 23 Mar 2021 news 9 1 A ! 2 LUX New Website call for SUNSET STHSS A DARKNEé@ WiALLOWED; cender . T : ’ ‘. P Kayla Parker ’ Betzy Bromberg 16 Mar 2021 news 8 Dec 2020 news : 3 ; — New LUX Publication: Announcing LUX Artist in - % 1 Residence 2021 = TH E READ|NG_-(‘O'O|V| : No End to Ender by Graha‘lm B Eatough and Stephen Sutcliffe a database of cultural’objects Steve Connolly
- & & < shaderbooth ® x|+ v @ nhttps://shaderbooth.com = % O = a®* =0 -
- The following conversations, facilitated by Sa-Sa art projects, turn around the topic of creatively thinking about the notion of com- munity and how as individuals, we all can produce ideas that can offer free spaces for expression, encounters, and association. This is the first edition of a series of work- shops aiming to approach practitioners from diverse disciplines to the language of Com- munity Art. The conversations turn around the idea of using tools from different disci- plines and conceptions of community and art to conceive ideas that can be more effective and impressive for given communities. Polis is the Greek name for the ideal city, and the Utopian place where every citizen finds his/her center, stability, and security, where it is possible to live a happy and fulfilling life. The ideas produced during the workshop want to address our society towards that ideal, helping others to find an example of that ideal polis, and propose an uncompro- mised encounter with art. Francisco Camacho Herrera Amsterdam, 2022 Dom-Ino House, 1914-1915 Le Corbusier, oca office community art
- [For very goed reesens, Commy- ity ert inifeiives end civis pear- {iicperfon & very mush on The ook Art prefests et &lim T generEs esscckifions ast es & meter forr celhesion end salf-em- pesfitive @emplss to others end insyeiire hem o use thelr ereetivi- {y Gowerrds lbetier communiyy [ite end), cemn epand e notden ef ert in eur ckilly [ie. journal #o01 polis
- SE) Sh) ARBRIGjECHS memes stati l'na Al SO
- The Simultaneous By Mao Sovanchandy Cambodia is one of the fast-growing countries in its economic, construction and tourism. Phnom Penh, the capital of the city is signifi- cantly expanding, and it is no different from many countires in using landfill to satify the high demands and needs of the development. Beoung Tamok is one of the largest lake in Phnom Penh that is actively filled by the sand. The lake is not only a home to nature and ani- mal species but also a home to hundreds of fa- milities around the region who are known to be farmers and fishers. What will happen to them when the development take over their home? In this series of artwork, we emotionally im- mersed ourselves at the heart of nature surre- ounded by this beautiful landscape of the lake contemplating the connection between human and nature. We hope to raise up the thought of varieties of methods to develop by adapting the innovation and sustainability into practice. This series has been taken before the pandem- ic of Covid-outbreak so the ideas for this Of- fice of Community Art workshop is to connect and get back to the community. Hopefully, this could build up my courage to continue this beautiful and heart touching work. Artist bio: Mao Sovanchandy, born in Battambang, Cambodia in 1999 and was raised in a restrictive family. Being the eldest and sole daughter is a great challenge for her. She ex- plores and fights in every way to do what she loves and look for her freedom. She has an enthusiasm for pho- tography. She often likes to experiments with new kinds of conceptual photos, art crafts that would evoke fur- ther discussion and story telling. contact: sovanchandy.mao3@gmail .com
- | office community art
- Courtesy Ana Sophie Salazar. Logo of Patafest, 2016. Becoming a curator of contemporary art was the way | found to contribute to current social and artistic debates and think through specific geopolitical contexts, while consid- ering individual places of speech. Curating serves the purpose of facilitating access to art, to content, to form, to thought, to culture. For me, art is a place of repair and of imagination, without which there are no futures. Through their work, artists can en- courage reflection, fuel our imagination, and expand our minds and horizons. Following this idea of expanding imagi- nation, | created Patafest for my Master thesis project in 2016. It was an experimen- tal variety show dedicated to the imaginary, the absurd, and the political, celebrating 100 years of Cabaret Voltaire and evoking Dada’s spirit to think about how to foster collective action today. Including music, performance, installation, poetry, and video, the event at a caba- ret space in West Village, New York, had as its point of de- parture the Bremen Town Mu- sicians. In this German folktale transcribed by the Brothers Grimm in the 19th century, the dog climbs on the donkey, the cat on the dog, and the rooster on top of them all to storm through a window and scare robbers away. It functions perfectly—they install themselves in the house and live happily ever after. These old, rejected animals were able to establish a new home for them- selves. This absurd, eccentric, spectacular, and intriguing figure of their joined bodies stayed in my imaginary since childhood. It is performative act that comes from a col- lectivity, with no individual author, and that successfully beats the oppressors. All works in Patafest were new commissions. For instance, the contribution by Chinese artist Bo Wang was a mango cocktail in- spired by a historic event in which Chinese workers worshipped a mango during the Cultural Revolution. In 1968, the Pakistani government offered Mao a box of 40 man- goes. Mao decided to send the mangoes to a group of workers as political propaganda. The most important factories of the capital city received a mango each and the mango became a symbol of Mao’s dedication to the workers. The mangoes were first covered in wax and preserved in altars. When they inevitably began to rot, each mango was boiled in water and each worker would take a spoon of the big mango soup. The specta- tors shared a mango drink and could take a flyer explaining the story. During the event, the audience had paper to write things down, they sang, answered questions, and were invited to blow into whistles. They formed a choir. One of the goals was to think about a choir of voices as a micro-cosmos, Where people are open to be influenced by others more directly and consciously. How can we group our- selves peacefully, positively, harmoniously? The story of the Bremen Town Musicians is the story of four animals that do reach that complete harmony. They are able to do so because their situation is desperate: if they
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